I’ve been to many NaNoWriMo write-ins in my day. Naturally, I’ve conversed with many authors and have heard about personal writing habits that differ from others. I don’t mean planning versus pantsing. Sometimes it’s simple, like a naming convention for files, or a color code for highlighting certain passages for editing. Most authors write a 500-page draft and then whittle it down by one-third; I simply can’t operate in such a manner.
The manuscript for M&M: The Tales of Tyrennia Book II now stands at 235 pages. Sounds a bit short, doesn’t it? Well, in a word, No. The original first draft was only 112 pages. My creative writing classes were in screenwriting; therefore, I tend to write a first draft (which I playfully call Version 0.5) that is 90% dialog. It’s a nasty habit, which I do not recommend for any author. This method is a rather personal quirk or “comfort zone.” I prefer having my plot laid out, no holes or characters ignoring the path of least resistance. Also, it helps me to scrutinize my dialog.
Version 0.5 of Book II moved like a rocket-powered roller coaster. Way too fast and somewhat overwhelming for a reader. Most authors love to write a “page-turner,” but there can be a point where a reader needs to come up for air. My current draft certainly leaves them underwater for way too long. But there were other problems.
Book II’s disparate events in separate locations on a collision course created a dizzying story line. Not only was information zipping by too quickly, but such a plot demanded many shifts in point-of-view (POV).
To solve this problem, I wrote out a small synopsis of each chapter’s events and noted the POV shifts. Yes, way too many. But I also noted the need for characters to perform certain actions, and subsequently work on solving glitches in their plans of action.
So far, I’ve fleshed out the first four chapters and have written a new chapter 5. I saw the necessity of other new chapters as well. For instance, the original chapter 5 is now chapter 9. Because of the minimalist nature of my first draft and outline, the plot is still rock solid. *wipes brow*
Do you have any personal writing quirks in your process?
Don’t Go – Comment Below!
For the New Year, I think it best to keep working on what I have already written, rather than start a new writing project. The first draft of M&M: The Tales of Tyrennia, Book II, is done and the first ten chapters are ready for beta reading. Therefore, a release of Book II looks rather promising.
My short story collection, that has been “on the back burner” for far too long, should be completed. I’ve decided to alternate between Book II and the collection. Edit a chapter, then edit a short story, then back to another chapter and so on. The shorts collection has seven titles, so it will be done relatively quickly and I can shift my undivided attention back to Book II.
I’m sure some minds are saying, “Shouldn’t this be titled ‘editing goals’ rather than ‘writing goals’”? Not in my case. As I’ve mentioned in previous posts long ago, I write bare-boned drafts (mostly dialog) and edit in an additive manner rather than a subtractive one. My first editing pass involves a lot of writing, like detailed descriptions, body language, ambiance, and the five senses.
On another note, I also plan on doing many more reviews this year. Of course I’m going to restrict them to books by Indie Authors.
Yes, I know these aspirations appear thin, but I believe in keeping things simple. I’ve found that when I set too large a goal and fail to reach it, I turn into my own worst critic.
What do you plan on writing about this year? Do you already have a work in progress? Are you already planning for NaNoWriMo 2020 in November or Camp NaNoWriMo in April?
Every Time You Reply Little Patrick Doesn’t Cry
Do you like the cover and interior book design for Storm of Divine Light? I have to give credit where the true credit is due, namely, Creative Publishing Book Design. Before my first contact with Creative Publishing Book Design, I have to admit to having reservations. Too often I’ve read warnings from others about the vultures out there looking to scam a quick buck from unsuspecting Indie Authors.
After my first phone call, I was very impressed. They were quick and patient with me, but they also worked with me. I cannot overstate the importance of working with me. Instead of making me choose from some prefabricated generic covers, they looked at my initial sketches and built everything from that starting point. They even requested three chapters to develop a design that reflected the mood of the book.
Communication is a key factor
There were many emails, phone calls, and text messages. I must say, their answers were quick and accurate as were their attention to details and small adjustments. For example, I did not like the eyes of the figure on the cover. I thought, because the MC is a rogue, there should be an air of mystery about him. Within hours, the team at Creative Publishing Book Design made the adjustment.
The Results Were Worth the Money
I have some print editions from Indie Authors, and unfortunately, some of those books look like they belong in the “minor leagues”. The cover combined with the stunning interior make Storm of Divine Light (use the ‘Look Inside’ feature on Amazon) into a professional looking book, as if it was plucked from the shelf of a major book dealer.
I will contract them again for the next novel in my fantasy series, M & M: The Tales of Tyrennia: Book II. Why? Because I was treated like a valued client.
Have you ever contracted for covers and design? Got a horror story or an endorsement to share?
Don’t Go – Comment Below!
The covers (ebook and print versions) for my upcoming fantasy novel are complete. I’m still addressing the concerns of some beta readers. The slow process of reading the manuscript out loud has also begun. Actually, more than a beginning; we’ve completed the first sixteen chapters. I’m not ready to reveal the cover or title. But allow me to simply divulge this tidbit…SoDL: Tales of Tyrennia, Book One.
Never Trust an Author with a Clean Desk 🙂
I heartily recommend reading your manuscript out loud with a partner. I’m almost stunned at the quality of the end product. Every craft book, or self-help blog post I’ve read have proven their weight in gold. The stream-lined manuscript comes in at three-hundred-twenty-three pages. My formatter says that it will equal more in print, around twenty pages extra.
The first drafts for books two (M&M: Tales of Tyrennia, Book Two) and three (TFW: Tales of Tyrennia, Book Three) are done as well. These drafts are somewhat raw, but I’ve been through the first five chapters of book two and feel it’s ready for another set of eyes.
I guess that’s what happens when one advances their wordsmithing craft. I’m ready for beta readers after three drafts rather than ten or twelve.
Now it’s your turn to give me your progress report. Tell me about your Work-In-Progress.
Every Time You Reply Little Frankie Doesn’t Cry